Showing posts with label Qwickies. Show all posts
Showing posts with label Qwickies. Show all posts

Friday, November 27, 2015

Alison Bruce is Back!




 This is my friend Ali and me. This looks like us too.


Alison Bruce and I met through Crime Writers of Canada a few years ago and immediately became friends. That's the way I remember it, anyway.

Her "Deadly Legacy" character, Kate Garrett, is one of my favourite heroines, kick-ass but down-to-earth realistic female who lives slightly in the future.

Now she's back in Deadly Legacy


The Interview

Me: Tell us what this book is about.
Ali: It’s about 111 pages long… Sorry I couldn’t resist.
(You're so funny, Ali. - Me)
In Deadly Legacy Kate lost her father. Now she’s dealing with the fallout. She’s accepted her first case as a private investigator and is looking for a cat killer. At the office, she has to walk on eggs around her new business partner. In her off-time, she is packing up her father’s apartment where she comes across his last case as a police detective. Life is an emotional mine field and yet, Kate manages to solve her current case and a decade old one in the same neighbourhood.

Me: If you could only use one word to describe this book, what would it be?
Ali: Whodunit.

Me: What do you do for fun?
Ali: Reading and writing are both fun and professional activities. Just for fun? I draw cartoon versions of people… like the one of me and you.
(And I LOVE it! - Me)

Me: How would you describe your writing style?
Ali: Funny but not comedy. Adventurous but not super heroic.  Romantic but not sappy. I aspire to write like Fred Astaire and Ginger Rogers dance. They make it look easy, but it’s not.

Me: When you begin to write your books, do you know how it ends or is it decided by the actual process of writing?
Ali: I always know how my books are going to start and end. I almost always end up starting at a different point than I intended and end up somewhere slightly different than I planned.

Me: What is your favorite thing about writing?
Ali: Everything when it flows. Nothing when it doesn’t.

Me: If we were to meet for lunch and talk books, where would we go (money is no object)?
Ali: Let’s do Paris. There is (or was) a lovely trattoria on Boulevard Saint Germain in the Latin Quarter. There’s an English book store in the same block. That way, we have a place to shop afterwards. If the weather is nice, we can sit outside and watch the students and tourists go by.

Me: How has your upbringing influenced your writing?
Ali: My parents read…a lot. My mother had a huge collection of mystery novels. I grew up with Agatha Christie, Ngaio Marsh, Dorothy Sayers and that’s just scratching the surface.
My father, on the other hand, loved westerns and thrillers. So I also read Louis L’Amour, Zane Grey, Jack Higgins and Alistair MacLean. He also introduced me to Stephen Leacock Award winners Donald Jack and Farley Mowatt (also to Stephen Leacock for that matter).
I don’t think I appreciated how much these authors influenced me until recently.  But maybe the biggest influence was all the travelling we did when I was young. I devoured books in hotel rooms and nights in our ugly family camper, but I couldn’t read in a moving vehicle. Instead, I made up stories in my head. Sometimes my sister and I would play act them, but mostly I had a head stuffed with plots and characters.

Me: How important do you think villains are to a crime story?
Ali: “Your enemy is never a villain in his own eyes. Keep this in mind; it may offer a way to make him your friend. If not, you can kill him without hate — and quickly.”
Robert Heinlein said that in The Notebooks of Lazarus Long. I try to keep that in mind at all times… not just when I’m writing. I do my best not to write villains, only enemies. That being said, “A hero is only as good as his villain.”

Me: If you could be anyone else in the world (living), who would you be?
Ali: That’s tough. If I was anyone else, I wouldn’t have my kids, my family and friends. That wouldn’t do at all. In another universe, there is an Alison Bruce that didn’t chicken out of submitting her work when she was in her twenties. If other parts of her life worked out close enough for me still to have Kit and Sam as my kids, I’d be her.

DEADLY SEASON
An Imajin Qwickies™ Mystery/Crime Novella  
A Carmedy & Garrett Mini-Mystery #1
By Alison Bruce
Imajin Books
November 2015

Last month Kate Garrett was a Police Detective. Now she’s a Pet P.I.?

Kate recently inherited half her father’s private investigation company and a partner who is as irritating as he is attractive. Kate has been avoiding Jake Carmedy for years, but now her life might depend on him.

Kate and Jake are on the hunt for a serial cat killer who has mysterious connections to her father’s last police case. Kate’s father had been forced to retire when he was shot investigating a domestic disturbance. Is the shooter back for revenge? And is Kate or Jake next?


Available at:
www.amazon.com/Deadly-Season-Carmedy-Garrett-Mini-Mystery-book/dp/B017AFRN02
store.kobobooks.com/en-ca/ebook/deadly-season
play.google.com/store/books/details/Alison_Bruce_Deadly_Season?id=SzvSCgAAQBAJ
www.smashwords.com/books/view/588711

Alison Bruce has had many careers and writing has always been one of them. Copywriter, editor and graphic designer since 1992, Alison has also been a comic store manager, small press publisher, webmaster and arithmetically challenged bookkeeper. She is the author of mystery, romantic suspense and historical western romance novels. Three of her novels have been finalists for genre awards.



http://www.alisonbruce.ca 
(author and business website)
https://www.facebook.com/alisonbruce.books 
(author page)
http://alisonebruce.blogspot.ca 
(author blog)
https://twitter.com/alisonebruce 



Tuesday, October 6, 2015

Guest Post from Debra Purdy Kong: RESEARCH, WITH A PERSONAL TOUCH

I met Debra Purdy Kong through Crime Writers of Canada.
Staying in touch through Facebook and other crime-related
events (no jail time involved) has allowed me to get to know her 
and appreciate not only her talent but her determination. She's
one of those people who supports her colleagues and gives
thoughtful, intelligent feedback and inspiration. Here's her
insightful look at research.

For crime fiction writers, finding ideas is easy. All we have to do is turn to news sources. Research, however, is another matter, but these five strategies really help:

leg work
firsthand experience
networking
expert interviews and consultants
internet research

For me, leg work is important. When I incorporate foreign settings, I choose places I’ve been to and find something specific about them to weave into a story. In my first Casey Holland mystery, The Opposite of Dark, one of the chapters is set in Amsterdam. I mention the pricey McDonald's hamburgers and the ubiquitous dirt particles that swirled over Casey’s hair and face whenever the wind blew. These memories have stayed with me over the years.

Firsthand experience is the most time-consuming type of research, yet it's become invaluable. Employment in security added authenticity for the Holland series and my recently released Evan Dunstan novella, Dead Man Floating. I didn't set out to incorporate day jobs into short stories and novels. It just worked out that way. The security field had interested me, so I answered an ad in the paper and wound up training as a campus guard, dispatcher, and later a supervisor.

Networking in person and online is another great resource. Discussions about my work have put me in touch with IT and forensics experts, for instance. Twitter helped me connect with a bus driver who is now my consultant on a current Casey Holland mystery.

Many times, you don’t even need a referral to find an expert. Universities, organizations, and libraries have links to databases listing all sorts of people willing to answer questions. One question often leads to another and soon you're gathering knowledge to about things you hadn't known to ask. Once you’ve identified an expert, a short, polite email query often gets the ball rolling.

It might seem strange, but Google research is the resource I've used least so far. It’s probably because I've had the benefit of working in the same field as my protagonists and set most of my stories locally. But I hope to expand my horizons. I’m mulling over new work in a different genre and research needs will definitely expand. I can't wait to see where the search will take me.

Link to Dead Man Floating: http://www.amazon.com/Dead-Floating-Evan-Dunstan-Mystery-ebook/dp/B014K0UY1A




EXCERPT FROM DEAD MAN FLOATING:

Propping the kickstand, Evan removed the small flashlight attached to his belt then stepped nearer the water. Oh shit! It was a hand! A freakin’ hand! And legs! He moved the flashlight up the body until he spotted the grey fringe circling a bald head that glowed like a moon. Evan shivered. Was the guy alive? He wouldn’t have to perform CPR, would he? That first-aid course last year didn’t go so well after he broke that manikin.





 DEBRA’S BIO:

Author of six full-length mysteries and over fifty short stories, Debra has won numerous awards for her work. She conducts workshops, is an administrative assistant at Simon Fraser University, and also works as a substitute facilitator for the creative writing program with Port Moody Parks & Recreation.

More information about Debra’s books and her blog can be found at www.debrapurdykong.com
Also visit her FB Author Page https://www.facebook.com/pages/Mystery-Author-Debra-Purdy-Kong/139005706175139
Or find her on Twitter @DebraPurdyKong